Open for Fulltime or Partime Jobs · Iloilo City, remote worldwide
Reinwel
Tingson
I cut video that has to earn its place on a feed.
Video editor and content designer, four years in, working across e-commerce, YouTube, law and fintech in the US, UK, Canada and New Zealand.
- Editing
- 4 yrsEditing
- Brands
- 25+Brands
- Video output
- 70/wkVideo output
- Awards
- 3Awards
Tools: Premiere Pro, After Effects, DaVinci Resolve, Capcut Pro, Canva.
Featured
13:40
01 — selected work
27 cuts
02 — long form
8 films
03 — static ads and graphics
3 brands
Paid social creative for three e-commerce brands — layout, type, retouching and compositing, designed and edited in volume to keep a feed running for a whole season.
04 — content calendar
4 snippets
A Q4 social plan for a US marketing agency, built in Excel as a working tool rather than a list of ideas: monthly calendars, a production schedule, a content tracker and a KPI dashboard that reads from it.
Agency, founder and client names removed.
05 — what I do
4 tracks
V1
Video editing
Long form and short form. Hook writing, pacing and story structure, colour correction, sound design, subtitling — the whole cut, not just the assembly.
- Premiere Pro
- DaVinci Resolve
- Capcut Pro
V2
Motion and design
Motion graphics, thumbnails, typography and composition, photo retouching and compositing. Brand-consistent visual systems that survive a hundred posts.
- Capcut Pro
- After Effects
- Canva
V4
Client work
Discovery and brand alignment, feedback rounds, high-volume delivery, deadlines that do not move. At peak that meant seventy finished shorts a week.
- Notion
- Frame.io
- Slack
06 — about
I started with visual arts, where I practiced painting and developed my creative foundation. From there, I found my way into video editing, cutting whatever footage I could get my hands on. Four years later, I’m doing the same thing for brands across five different countries. The job itself hasn’t really changed: figuring out what a piece is trying to say, then removing everything that gets in the way of that message.
Most of my work is built around holding attention in a feed that is constantly competing for it. That means creating hooks that work within the first few seconds, pacing that keeps viewers engaged, and using subtitles, motion, and visual storytelling to communicate the message even without sound. I also work with long-form content, where the challenge shifts from winning someone’s attention in three seconds to keeping them engaged for nine minutes or more.
Worked with
- Simple Media
- The Inspyre Group
- Digital Perspective
- dub
- NEUFINANCE
- Pymm & Co
- Tibbs Fitness
- CJB Scaffolding
- WM Brands
- Snug and Cozy
- DIGIWORK
- TIKSTAR
- Auxilium
- Chess Pro YT
07 — track record
Experience
12 entries · scroll
2026
Video editor
Simple Media
Worked full time across the content pipeline, from concept and scripting through final edit and delivery. Conceptualised content directions and formats, then executed them as finished, platform-ready video.
Mar 2025 — Present
Video editor
The Inspyre Group
Advocacy-driven video for the group’s flagship campaigns, working directly under CEO Gavin J. Smith. Documentaries, podcasts, interviews and advertisements, including work for The Coker Pedego and Attorney Cofield of The Cofield Law Firm.
Jul — Sep 2026
Video editor
Chess Pro YT
Edited and clipped YouTube Shorts at a sustained seventy finished videos a week, pulling high-retention moments out of long-form footage and cutting them to hook in the first seconds.
Jan — Jun 2026
Video editor
Digital Perspective
Video for UK brands across fitness, construction, property and professional services — We Are Flat Out, CJB Scaffolding, Pymm & Co Estate Agents, Tibbs Fitness, Thermaglow, Indigo Swan Norwich and others.
Jan 2025 — Jun 2026
Video editor and Graphic designer
New Zealand Immigration Law
Turned New Zealand immigration law into clear visual explainers for migrants and employers. Lifted comprehension with motion graphics, subtitles and structured storytelling across Facebook, Instagram, TikTok and YouTube.
Jul 2024 — Feb 2026
Video editor
NEUFINANCE
Long-form YouTube editing, pacing full-length videos to hold attention from first frame to last through dynamic cuts, graphics and sound design.
Jan 2025 — Mar 2026
Video editor
dub — copy trading platform
Short-form video, motion graphics and static creative explaining copy trading in plain language, balancing financial credibility with scroll-stopping visuals across Meta and TikTok.
2022 — 2026
Freelance video editor
WM Brands
E-commerce and paid ad creative for Meta and TikTok, including product ads for Iron Cast. Hook-led short form built to sell in the first seconds.
2022 — 2026
Freelance video editor
Snug and Cozy
Product and lifestyle video for the brand’s catalogue — clean product-led cuts and warmer lifestyle sets, turned into scroll-ready social edits.
2022 — 2026
Freelance video editor
DIGIWORK
Trend-aware short form for social, matching each cut to whatever format, pacing and sound was working that week.
2022 — 2026
Freelance video editor
TIKSTAR
UGC and creator-style ad creative for TikTok, including work for Qbounce, Miilk and Footballer.
2022 — 2026
Freelance video editor
Auxilium
Onboarding tutorials for a Canadian client, cut for clarity with screen capture, callouts and subtitles.
Education
2025 — Present
BS Software Engineering
Central Philippine University, Iloilo City
Studying alongside full-time editing work.
2023 — 2025
Senior High School — STEM
Central Philippine University, Iloilo City
2018 — 2023
Visual Arts Track
Pavia National High School, Pavia
Where the Creativity started.
08 — awards
3 given
2023
Special Program for the Arts Completer
Visual Arts
2023
Excellence Award
Parangal
2024
Best Advocacy Video
School Club Fest
09 — contact
Taking projects
Send me the
footage.
Tell me what you are making, who it is for, and when you need it. If it is a fit, you get a first cut inside a day.
tingsonreinwel67@gmail.com- Based
- Iloilo City, Philippines
- Booking
- Taking projects
- Timezone
- GMT+8
V3
Content and growth
Social media management end to end: quarterly content calendars, content pillars and posting cadence, static ad design, paid creative for Meta and TikTok, hook and CTA writing, and tracking what performed.